- mass noun: plays as a genre or style of literature
"A Renaissance drama."
- mass noun : the activity of acting
"teachers who use drama are working in partnership with pupils as modifier drama school."
A play for theatre, radio, or television
"A gritty urban drama about growing up in Harlem."
The
term drama, as
defined by Oxford Dictionary (2013) is a 'play'
or 'the activity of acting' that
falls under the style of literature. Originated from classical Greek
term, significantly defined as 'action'
and derived
from the verb draĆ
which
means 'to
do' or
'to
act'. In
theatre, the exertion of drama consists of the act of performing by
actors on stage before an audience. Drama significantly influenced by
collaborative production and collective reception. Thus drama, or a
dramatic narrative
differs from other form of written literature as Pfister and Jahn
(2003) explains;
- the actors work together with producers, directors, designers, choreographers, musicians etc (collaborative modes of production)
- the performance is to an audience (collective form of reception)
Modern
days drama, especially television and film ignored these two
important features of a drama due to the nature of the production;
being recorded instead of seen live in play/action and propose a set
of disadvantages unlike the older day theatre production.
Pfister
added that “the
collective aspect actually increase the intensity of the reception.
If you read the printed literary text of a comic scene on our own, we
are generally less inclined to laugh than when we experience it with
others in the theatre” and
“the
feedback from the audience to the stage, improving the actor’s
performance, stimulating improvisation, and more."
Originally,
traditional drama represents two generic division of a comedy and
tragedy. These two division are symbols of the ancient Greek
Muses; Thalia and Melpomene.
Now in comprehension, the term Thalia
symbolizes
a laughing face (the Muse of comedy), while Melpomene
the
weeping face (the Muse of tragedy). Generally, these two forms are
considered as a genre of a poetry contradictly differ from the epic
and lyrical modes since Aristotle's Poetics
(c.
335 BCE).
History
Historically,
drama development in the Western civilization plays a significant
role in the modern world. Western drama originated from the classical
Greece as the city-state of Athens within the formation of it's
theatrical culture produced three genres of what we known now as
tragedy, comedy and satyr. During those days, there were competitions
held as a part of festival which celebrating the god, Dionysus which
considered as the commencement of the theatre/drama origin. There are
several significant type of Western drama existed throughout the
history such as;
- Classical Greek
- Classical Roman
- Medieval
- Elizabethan
- Jacobean
- Modern & Postmodern
Function
To
understand its function, one must familiarize theirselves with
several prominent aspects of drama. It includes character, plot and
theme alongside the inclusion of major and minor characters. Plot,
fundamentally constructed and made up of acts and scenes, as
classical perspective suggested, according to Aristotle “a
plot must have, a beginning, a middle, and an end, and the events of
the plot must causally relate to one another as being either
necessary or probable.” (Poetics
23.1459a.)
Theme
on the other hand can be considered as the soul
of
the play, proposed by conflict
within any construction of a play; it may be among individuals, man to
society, man to supreme power or a man to his inner self. Plot and
drama thus, works accordingly together and must be in sync.
Reflections
To
most, drama and theatre have some prominent fixed features,
conforming to the director's perception of how he/she wanted the play
to work. These features are sometimes predictable as it may be
foreshadowed by any of the acts/dialogues by the any characters
within the play. However, a drama/theatre may contains an
unpredictable scenes or acts proposing a sense of suspense, shocking
or even intriguing affects to the audience perfectly shaping some
kind of moods defining a great play. Here is an interesting video in
concluding a perfect situation of how a drama/theatre could perfectly
merge different kind of situational effects, and what does it capable
of from the perspective of the audience.